Research
Current research
My academic research is strongly informed by my creative practice as a jazz composer and pianist. In particular, I am interested in how the musical experiences of jazz composers and performers (and to a lesser extent audience members) are mediated by their placements within larger social groupings defined by ‘race’ and place.
My current research explores the biographies and music of two prolific and highly original South African jazz composers, Lulama Gaulama and Paul Hanmer, each of whom were born around 1960. Their music and personal stories offer fascinating perspectives on apartheid and post-apartheid South African jazz culture and South African society more generally.
In my Masters/PhD research, I examined how the music of three post-apartheid South African jazz groups, including my own, sonically referenced its makers’ and listeners’ individual and wider social identities. Please click here to view my PhD dissertation.
Academic editing and peer review
I enjoy editing and between 2009 and 2012 I edited or co-edited four volumes of the journal South African Music Studies; in 2016 I guest-edited a special issue of the journal World of Music (new series) titled South African jazz culture: texts, contexts and subtexts. I am on the editorial board of Jazz Research Journal and have peer reviewed for numerous journals and academic presses.
Supervision
As a postgraduate supervisor, I have drawn on the full range of my research and creative work. I have supervised jazz composition, performance, and research topics from jazz drumset pedagogy to musical analysis of Sonny Rollins’ Saxophone Colossus to jazz as a gendered discourse. I have also supervised Honours long essays on the music of Chopin and Madonna. One of my present PhD students considers the career trajectories of six prominent South African jazz women and how their experiences can be used to inform a more gender-inclusive and equitable jazz pedagogical practice. A Masters student is analyzing the ‘struggle songs’ of Miriam Makeba.
Bibliography
- 2016. Discursive flows in South African jazz studies: Texts, contexts, and subtexts. World of Music (New Series) 5/2: 7-29.
- 2016. Review: Christopher Ballantine (2012) Marabi nights: Early South African jazz and vaudeville 2nd ed. Popular Music 35/3: 456-459.
- 2015. Experiences of belonging and exclusion in the production and reception of some contemporary South African jazz: An interpretative phenomenological analysis. South African Music Studies 34/35: 262-289.
- 2014. Review. Christopher Ballantine (2012) Marabi Nights: Early South African jazz and vaudeville 2nd ed. Transformation: Critical perspectives on Southern Africa 84, 157-159.
- 2013. Shifting fortunes: Jazz in post-apartheid South Africa. South African Music Studies 33, 159-172.
- 2012. I remember gratefully. In We remember differently: Race, memory and imagination, eds. Jordache Eliappen and Jyoti Mistry. Pretoria: UNISA Press, 107-115.
- 2012. Review: Musical Echoes: South African women thinking in jazz by Carol Muller and Sathima Bea Benjamin. Journal of Southern African Studies 38 (4), 1014 – 1015.
- 2012. Review. Kyle Shepherd’s Fine Art. Journal of Musical Arts in Africa 7 (1), 104-106.
- 2012. Jazz, space and power in apartheid South Africa: The army and the church. Proceedings of the 16th Biennial International Conference of the International Association for the Study of Popular Music, Rhodes University, 217-222
- 2005. Jazz as discourse: A contextualised account of contemporary jazz in post-apartheid Durban and Johannesburg. PhD dissertation, University of KwaZulu-Natal.
- 2005. Biography, taste, and identity construction in the production and reception of some contemporary South African jazz. South African journal of musicology 25, 71-82.
- 2005. Ethnicity, sexuality and all that jazz: The musical text as confessional space. In Gender and sexuality in South African music, eds. Chris Walton and Stephanus Muller. Stellenbosch: SUN Press, 27-33.
- 2005. Co-author with Sazi Dlamini and Christopher Ballantine. South Africa. Continuum Encyclopedia of Popular Musics of the World, Vol 6: Africa and the Middle East, 100-108. London: Continuum.
- 2004. Contemporary South African jazz and the politics of place. Social Dynamics 30/2, 112-127.
- 2002. Twelve entries on South African jazz musicians in The New Grove Dictionary of Jazz (2nd ed.) Vols 1-3, ed. Barry Kernfeld. London: Macmillan.